Piano Row: Carver Street and Poe Square

This is the last of four posts about the block of Boylston Street between Tremont Street and Charles Street known as Piano Row. It held a lot more to talk about than I had originally expected. Today’s post picks up after the Steinert and Son piano show room and reaches the end of the block at Poe Square.

Carver Street

176 Boylston Street, Boloco, Carver Street, Piano Row, Poe Square

176 Boylston with Carver Street (left) and Poe Square (right)

Carver Street today is a short dark alley lined with Dumpsters that roughly parallels Boylston Place. It starts at Boylston Street and ends at the State Transportation Building. In 1814 it stretched across what is now Stuart Street and then south to Pleasant Street. All that changed first in a burst of road development and urban renewal in the sixties and second when the Transportation Building went up in 1983.

Few would remember Carver Street today were it not for its most famous resident. Little Edgar Poe was born on the part of Carver Street that disappeared, along with all of Pleasant Street, when South Charles Street was created.

No one noticed or cared that Boston had wiped out the birthplace of one of America’s most famous authors along with the house and most of the street on which he had lived. More on this later.

176 Boylston Street

On the west side of Carver Street, we come to 176 Boylston Street. This large brick structure presents a narrow face to Boston Common but extends well down South Charles Street. It once housed a florist that had been there since 1937 and Biltmore Luggage had occupied it before that for over 70 years. That dates the building to at least 1867. Unlike many commercial buildings of that period, it does not incorporate a name into the façade, which hinders research.

The building itself is one of those structures that gives Boston its red-brick character while drawing no attention to itself. Architecturally it offers a mish-mish of different styles.

176 Boylston Top Floor, chimneys, panel brick

176 Boylston is seven stories tall with two chimneys on the Boylston Street corners. Each floor treats its window surrounds differently and tops them with pediments in a variety of styles. Some panel-brick work decorates the corners and the spaces between pilasters on the top floor as well as the chimneys.

The Sunny West Face

The building’s west face, along South Charles Street, looks bright and warm on a sunny day. Midway down its length, the third and fourth floors have windows that appear larger because of the brickwork surrounding them and the elaborate pediments above.

176 Boylston Street, Jack's Joke Shop, L.J. Peretti Co, Old Towne Trolley, South Charles StreetThe bottom floor is currently occupied by Boloco, a fast-casual seller of burritos and other Mexican food. Boloco opened up the building’s ground floor with panoramic windows that give a clear view of Boston Common.

On its west side, 176 Boylston Street was the location of the venerable Jack’s Joke Shop, purveyors of sleight-of-hand tricks, whoopie cushions and rubber chickens for decades. Many Bostonians remember Jack’s Joke Shop fondly.

Current occupants include Old Towne Trolley sightseeing tours and L.J. Peretti Co., a cigar store.

Poe Square

The triangle of land at the corner of Boylston and South Charles Streets is now named Poe Square, which finally recognizes the birthplace of Edgar Allan Poe. Born on January 18, 1809, to David and Elizabeth Poe, Edgar lived in the city for a short time His parents were itinerant actors at the Boston Theater and moved from the city before little Edgar was two years old.

Poe Square Street Sign, Edgar Allan Poe SquareHe returned in 1827 when he joined the U.S. Army and was stationed at Fort Independence on Castle Island. That same year he gave a reading of his first book, “Tamerlane and Other Poems,” that Boston’s critics, many of them the Transcendentalist authors, panned. That started a love-hate relationship between Mr. Poe and the City of Boston.

He called Bostonians “very dull people” and “Frogpondians.” In return, the City of Boston chose to ignore him. Boston might have its statues of Edward Everett Hale, Samuel Eliot Morrison, William Lloyd Garrison, and even Mrs. Mallard with her Ducklings but it literally demolished locations that might have memorialized Edgar Allan Poe. Then it dusted its hands and moved on.

Poe Returning to Boston

That neglect changed during the 2009 bicentennial when Boston renamed this small triangle of land as Edgar Allan Poe Square. Easy peasy. Put up a sign and you’re done. (The plaque on 176 Boylston was placed there by a private citizen, not the city.) The square holds outdoor dining for Boloco along with tree-shaded benches.

Only in 2014 did an actual statue of Edgar Allan Poe take its place on his eponymous square. That was financed, typically, by the Edgar Allan Poe Foundation of Boston, Inc.– not the city.

Poe Returning to Boston, Poe Square, Stefanie Rocknack, Edgar Allan Poe Foundation of Boston

Poe Returning to Boston

In an irony Mr. Poe would have appreciated, “Poe Returning to Boston,” by Stefanie Rocknack turned out to be one of Boston’s best memorials. It has all the movement, drama, and mystery so lacking in earlier, inert statues of Dead White Men, whether authors, politicians, or philanthropists. It gives us a visual representation of Edgar Allan Poe’s belief that art should entertain and move, not argue causes.

Edgar Allan Poe strides energetically along with his hair and coat flying out behind him.. His raven flies by his side, wings outstretched, talons wide, and beak gaping. His stuffed suitcase spills open and the Telltale Heart falls out. Along with it drop manuscripts and pages of his prolific writing, which scatters across Poe Square all the way to Boylston Street.

The End of Piano Row

Poe Square is where Piano Row ends and, with it, this series of blog posts. I hope you have enjoyed learning more about this short block with its long and varied musical history.

Theater District and Piano Row

  1. I'm just a Poe boy from a Poe family, Edgar Allan Poe, RavenThe Buildings of Piano Row: Part 1
  2. Piano Row Buildings: Part 2
  3. The Buildings of Piano Row: Part 3 and Steinert Theater
  4. Boylston Place: Education, Art, Football
  5. The Boston Young Men’s Christian Union
  6. The Emerson Colonial Theater: Gilded Glory Returns
  7. LaGrange Street: Connecting Centuries
  8. The Cutler Majestic: A Gilded Renovation
  9. The Little Building’s Arcade and Murals

 

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About Aline Kaplan

Aline Kaplan is a published author, a blogger, and a tour guide in Boston. She formerly had a career as a high-tech marketing and communications director. Aline writes and edits The Next Phase Blog, a social commentary blog that appears multiple times a week at aknextphase.com. She has published over 1,000 posts on a variety of subjects, from Boston history to science fiction movies, astronomical events to art museums. Under the name Aline Boucher Kaplan, she has had two science fiction novels (Khyren and World Spirits) published by Baen Books. Her short stories have appeared in anthologies published in the United States, Ireland, and Australia. Aline’s articles have also appeared on the Atlas Obscura website. She has been an active member of the Science Fiction and Fantasy Writers of America since 1988 and is a long-term member of the Spacecrafts science/fantasy writers’ group. As a tour guide, Aline leads architectural and historical walking tours of the city for Boston By Foot, ghost tours for Haunted Boston and historical bus tours of the city. She lectures on Boston history and has appeared in the Boston Globe, as well as on TV for Chronicle, an award-winning television program that broadcasts stories of New England. As a lecturer, Aline has spoken at Brandeis and Tufts universities for the Osher Lifelong Learning Institute. She has also addressed as service organizations and local meetings. She is a graduate of Northeastern University in Boston and lives in Hudson, MA.

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